
[Read article here]
By Dave Simpson
Originally published Thursday January 5, 2006
© 2006 by The Guardian
The Fall are pleased to confirm today that they are playing two gigs at opposite ends of the Atlantic in early November.
On Saturday 4th November, they headline a Narnack Records showcase at the Hiro Ballroom, New York City as part of the CMJ Music Marathon. Full details of the event, support acts and ticket prices are available here.
The group follow this performance with a hometown gig on Sunday 12th November at the Warehouse Project festivities taking place at the former Boddingtons Brewery in Strangeways. As well as the usual ticket outlets, 50 tickets are available priced at just £14 each - full details of the gig and ticketing are available on the listing page here.
—FROM THE OFFICIAL FALL WEBSITE
The concept is simple — grab a series of screen shots while rotating above the earth and then stitch the images as if they were normal photographs.
A day is a long time in Internet based tutorials and this is now an update of the original as a result of Gaby, a digital urban reader, writing a kmz tool to dramatically simplify the process of capturing screen shots. The whole process should take approximately 40 minutes.
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The terms "September 11th", "11th September", and "9/11" have been widely used in the Western media as a shorthand for the September 11, 2001 attacks on the World Trade Center and The Pentagon in the United States of America.
In other places of the world the media also uses it as shorthand for other events, for example, the September 11, 1973 Coup D'Etat in Chile is referred to as "El 11 de Septiembre" or "El once" ("September 11" or "eleven" in Spanish) as shorthand for the Coup events.
Other significant events that fall on this same date thoughout history are listed below:
• 1185 - Isaac II Angelus kills Stephanus Hagiochristophorites and then appeals to the people, resulting in the revolt which deposes Andronicus I Comnenus and places Isaac on the throne of the Byzantine Empire.
• 1226 - The Catholic practice of perpetual adoration begins.
• 1297 - Battle of Stirling Bridge: Scots led by William Wallace defeat the English.
• 1541 - Santiago, Chile, is destroyed by indigenous warriors.
• 1609 - Henry Hudson lands on Manhattan island.
• 1609 - Expulsion order announced against the Moriscos of Valencia; beginning of the expulsion of all Spain's Moriscos.
• 1683 - Battle of Vienna
• 1649 - Siege of Drogheda ends: Oliver Cromwell's English Parliamentarian troops take the town and massacre its garrison.
• 1708 - Charles XII of Sweden stop outside Smolensk heading (by the lack of food since the Russians use the tactic of the burning soil) to the south, culminating in the disastrous battle of Poltava, the end of Sweden as a major power.
• 1709 - Battle of Malplaquet: Great Britain, Netherlands and Austria fight against France.
• 1714 - Barcelona surrenders to Spanish and French Bourbonic armies in the War of the Spanish Succession.
• 1773 - The Public Advertiser publishes a satrical essay titled Rules By Which A Great Empire May Be Reduced To A Small One, which is written by Benjamin Franklin.
• 1776 - British-American peace conference on Staten Island fails to stop nascent American Revolution.
October 29, 2006–January 15, 2007
The Joan and Preston Robert Tisch Gallery, sixth floor
The Paul J. Sachs Drawings Galleries, third floorThis retrospective of the artist Brice Marden is an unprecedented gathering of his work, with more than fifty paintings and an equal number of drawings, organized chronologically, drawn from all phases of the artist's career. Two new large-scale paintings exhibited for the first time are included. The gradual, deliberate evolution of the artist's work becomes evident, as well as the constant exploration of light, color, and surface at every turn. The work of the first twenty years, characterized by luminous monochrome panels, which first won the artist acclaim, is now seen in balance with the celebrated work of the past twenty years. In the mid-1980s Marden shifted to calligraphic gestures embedded in shimmering grounds before moving to heightened color in the past decade. An installation of drawings is installed in the Paul J. Sachs Drawings Galleries on the third floor. A major publication accompanies the exhibition.
Organized by Gary Garrels, Senior Curator, UCLA Hammer Museum, Los Angeles.
The exhibition is sponsored by Lehman Brothers.
Major support is also provided by the Mimi and Peter Haas Fund.
Additional generous funding is provided by The Henry Luce Foundation and Jerry and Emily Spiegel.
There's a gruff thunk! of a needle to wax, and a vaudeville piano starts to plink a tune you could imagine emanating from a Prohibition-era speakeasy in the Tenderloin. Over a hesitant waltz, a quavering female voice wails a curious ditty about misplaced items like a French horn, clamshells, and a sheepskin coat. Grizzly Bear's Edward Droste auditions this song his Great-Aunt Marla recorded some 70 years ago so that I might hear the original in juxtaposition with his band's own cover. The original title now lost to time, "Marla" throbs as the emotional core of Grizzly Bear's new album Yellow House; in their hands, this now elegiac dirge discloses the silent despair beneath her whimsical veneer.
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For the past 25 years CMJ Music Marathon has been a beacon for the world’s best new music, introducing thousands of rising stars at showcases and concerts at New York City’s most important venues. Early Marathon performances by bands from R.E.M. to the Beastie Boys, Green Day, Radiohead, the Black Eyed Peas, Eminem, the Killers, Arcade Fire and so many others helped launch some of music’s biggest and brightest careers, while legends like Patti Smith, Johnny Cash, Willie Nelson and James Brown have also graced CMJ’s stages, inspiring younger artists and seasoned professionals alike.
Today, more than 100,000 music professionals, artists and fans converge on the music capital of the world every autumn for CMJ Music Marathon and CMJ FilmFest, celebrating the very best in new music, film and pop culture.CMJ is honored to have presented keynote speakers such as David Bowie, Brian Wilson, Marilyn Manson, Moby, Queen Latifah, George Clinton, Ice-T and Perry Farrell to offer their insights on music, politics, technology and culture. As it has throughout its history, dozens of panel discussions are offered covering critical issues affecting all aspects of emerging music and the music industry.
Your attention, please. Now turn off the light. The Afghan Whigs are back! Understand, do you understand?
It was announced today that Greg Dulli will reunite with the beloved (and, OK, pretty strongly hated, too) 80s/90s alt-rock band that made his decadent, quasi-misogynistic leerings famous. Dulli, bassist John Curley, guitarist Rick McCollum, and drummer Michael Horrigan plan to gather in the band's former homebase of Cincinnati, Ohio in two weeks to work on their first new songs since their final album, 1998's 1965. (Check the vintage promo photo up there!) Although it's not the "classic" Gentlemen-era lineup, hey, we'll take what we can get.
After four days of rehearsal, the band will head to Ardent Recording Studios in Memphis, Tennessee to record with Jeff Powell, who worked with the band on Gentlemen, Black Love, and 1965. The new material is slated to be included on an Afghan Whigs retrospective collection entitled Unbreakable, due out in March or April on Rhino. As of right now, only two songs are scheduled to be recorded, but hopefully the sessions will result in more.
However, Dulli hasn't abandoned his current band, the Twilight Singers, as they are set to kick off their second American tour of the year on October 24 at San Francisco's Great American Music Hall. (They'll play Los Angeles' House of Blues the next night, October 25; the full tour itinerary will be announced next week. The Twilight Singers will also head to the UK and Europe this winter.) Dulli drinking buddy Mark Lanegan will join the band for the entire tour.
Posted by Amy Phillips in reunion, greatesthits, tour on Fri: 09-08-06: 04:57 PM CDT
… Ryan Schreiber, the site's editor in chief, reviewed Broken Social Scene's US debut album, You Forgot It in People, in 2003. He began by lamenting the fact that he was receiving more promotional CDs than he could possibly write about or even listen to, and he acknowledged that he had plucked this record from the slush pile at random. He chastised the group for its gloomy packaging and liner notes ("How could they not be the most unimaginative, bleak, whiny emo bastards in the whole pile?"). Then he conceded that he'd been listening to the record obsessively for months. It "explodes," he wrote, "with song after song of endlessly replayable, perfect pop." Schreiber awarded it a score of 9.2 points out of a possible 10. An indie rock star was born.
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OLD JOY is the story of two old friends, Kurt (Will Oldham) and Mark (Daniel London), who reunite for a weekend camping trip in the Cascade mountain range east of Portland, Oregon. For Mark, the weekend outing offers a respite from the pressure of his imminent fatherhood; for Kurt, it is part of a long series of carefree adventures. As the hours progress and the landscape evolves, the twin seekers move through a range of subtle emotions, enacting a pilgrimage of mutual confusion, sudden insight, and spiritual battle. When they arrive at their final destination, a hot spring in an old growth forest, they must either confront the divergent paths they have taken, or somehow transcend their growing tensions.
DIRECTOR'S STATEMENT
After founding Jerk with a Bomb in the late '90s, Stephen McBean had by the mid-2000s transformed the Vancouver-area band into a group called Black Mountain. Drawing on blues, psychedelia, acid rock, and the Velvet Underground, Black Mountain's sound was a cross between the darkness and grit of the Warlocks and Brian Jonestown Massacre's trippiness. After debuting in October 2004 on Jagjaguwar with the 12" Druganaut, Black Mountain stayed with the label for an eponymous full-length, issued the following January. Joining McBean for the album were local players Matthew Camirand, Jeremy Schmidt, Joshua Wells, and Amber Webber, listed collectively to preserve the band's communal ethic. (Black Mountain ran concurrent to and intermingled with McBean's other band, lo-fi classic rockers Pink Mountaintops.)
— by Johnny Loftus/Allmusic.com
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Osho The Zen Manifesto: Freedom from Oneself Chapter 11
TV on the Radio
Return to Cookie Mountain
[4AD/Interscope; 2006]
Rating: 9.1
Often when we say a record has "atmosphere," we mean it as a put-down. From Sgt. Pepper's to the present, a record's sonic appeal-- the effects, the mood, the spaces between the notes-- is inextricable from how it hits us. But when an artist pushes atmosphere in place of songs, it's frequently thought of as a crutch. Most listeners don't trust a mood to grab their hearts the way they trust, say, a human voice; nobody counts on production to deliver the "money note."
[Read the whole review]
In this hilarious send-up of Lovecraftian horror and steampunk adventure, President Abraham Lincoln's top spy is a bodyless head known only as Screw-On Head.When arch-fiend Emperor Zombie steals an artifact that will enable him to threaten all life on Earth, the task of stopping him is assigned to Screw-on Head. Fortunately, Screw-On Head is not alone on this perilous quest. He is aided by his multitalented manservant, Mr. Groin, and by his talking canine cohort, Mr. Dog.
Can this unorthodox trio stop Emperor Zombie in time? Does Screw-On Head have a body awesome enough to stop the horrors that have been unleashed? Where can we get a talking dog?
All these questions (O.K., maybe not that last one) will be answered when you watch the thrilling tale of The Amazing Screw-On Head!
©2006, SciFi.com, All rights reserved.
"Sorrow is the result of a shock, it is the temporary shaking up of a mind that has settled down, that has accepted the routine of life. Something happens — a death, the loss of a job, the questioning of a cherished belief — and the mind is disturbed. But what does a disturbed mind do? It finds a way to be undisturbed again; it takes refuge in another belief, in a more secure job, in a new relationship. Again the wave of life comes along and shatters its safeguards, but the mind soon finds still further defenses; and so it goes on. This is not the way of intelligence, is it?J. Krishnamurti.org
No form of external or inward compulsion will help, will it? All compulsion, however subtle, is the outcome of ignorance; it is born of the desire for reward or the fear of punishment. To understand the whole nature of the trap is to be free of it; no person, no system, no belief can set you free. The truth of this is the only liberating factor — but you have to see it for yourself, and not merely be persuaded. You have to take the voyage on an uncharted sea. "
Yo La Tengo — new album.
We're giving you plenty of time to get ready On September 12 (September 4 in places other than North America) we'll be releasing a new CD / double LP by a trio we've creatively nicknamed "America's Best Band."
[Cover art by Gary Panter]
Where do Yo La Tengo get off, delivering the most focused, wildly entertaining album of their longer-than-long tenure? Where does the record label get off, using catchphrases like "putting the 'oomph' back in 'eclectic'"? Where do you YOU get off, looking for greater details, like the sort of person who insists on knowing how the cliffhanger ends before the trailer even starts?
Ira, Georgia and James --- aided by longtime recording associate Roger Mountenot, have made a habit of blowing us away and confounding expectations time and time again, but with 'I Am Not Afraid of You and I Will Beat Your Ass' the trio have raised their game to unparalled heights, creating a multi-genre masterpiece certain to win Nobel Prize consideration. Or would you believe the Plug Awards? Either way, the believing's in the hearing.
We have posted an early mp3 of "Beanbag Chair."
©2006, Matador Records