Not too long ago, I had the distinct pleasure to work with a fellow who happened to be quite a luthier. He had a few photos of his craftsmanship with him at the office. The woodworking was magnificent and rivaled any upper-tier bass line I've seen. He brought an actual bass into the office one day for show and tell. Amazing! The basses are uniquely blended layers of beautiful and exotic wood. If you're a bass player or just like finely crafted wood instruments, RM Basses are worth checking out.
SOURCE: RMBasses
Thursday, January 24, 2008
The sound of silence…
Supersilent
8
(Rune Grammofon; 2007)
SOURCE: CokeMachineGlow.com
8
(Rune Grammofon; 2007)
Anyone who's heard A Love Supreme (1963) — or hey, Lift Yr. Skinny Fists Like Antennas to Heaven (2000) — should have some idea of the spiritual associations, however loosely defined, of music that falls loosely into these sub-genres. What always struck me about free jazz, in particular, was how it conveys both spiritual ecstasy and chaotic dread at the same time. Y'know, just like how the words "rapturous" and "apocalyptic" carry very different connotations but mean essentially the same thing. Supersilent's latest title-less masterpiece — the follow-up to 2003's equally incredible 6 — comes dangerously close to being the essential document of that non-juxtaposition; a perfect intersection of free improvisation, electroacoustic experimentation, and the dramatic arc of post-rock.— Joel Elliott
SOURCE: CokeMachineGlow.com
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